Next week I’ll be giving an online reading and an online talk in support of MetaFilter, a long-lived discussion forum/community weblog that’s been running a fundraiser during November. If you’ve never been there before, swing by and take a look! It’s a diverse online community with many different sub-sites to appeal to different users. I’ve been a member there for about fifteen years, and I lurked for many years before then. Highly recommended.
29 November I’ll be giving a talk in my “academic who horrors” guise, entitled “The Ghost in the Bookstore: The Rise, Fall, and Rise of U.S. Horror Fiction.” For those of you who saw me give a paper about this at ICFA some years ago, later published in Postscripts to Darkness, it’s going to be in something of the same vein, but updates and broadened in various ways. Horror has changed in various ways in the last five years!
1 December I’ll be reading my short story “The Haunted Object.” It’s a cursed story in a number of ways! I’m looking forward to infecting getting it out to a new audience.
Yesterday was Day 1 of #HalloweenHangover at the Libbie Place Barnes & Noble in Richmond. It’s a new event, featuring authors from far and wide, including many from the Commonwealth. I didn’t know what to expect, as I’ve never been to anything quite like this at a bookstore before, but it was essentially a horror book festival. I talked to a few people for the first time, hung out with old friends, and bought a few books…
The event’s a two-day affair, so swing by and check it out if you’re in the area. And while you’re there, check out the horror section! It’s been a minute since I visited this location, and they’ve got a very nicely curated set of books. Here’s an endcap featuring Richmond’s own Valancourt Books:
Valancourt Books (previously) has increasingly been releasing horror in translation in recent years. Their Valancourt Book of World Horror Stories does what work in translation should do, “bringing the news” from other parts of the world to your own, or at least to your own language, and has shown up in reviews, on syllabi, and other places of honor. Not coincidentally, the press won the 2021 HWA Speciality Press Award, testament to their impact on the field, from reprinting forgotten classics to their translation work, to the Paperbacks from Hell series.
Recently they released a book that’s even better than the norm for them: Anders Fager’s Swedish Cults (Valancourt|Bookshop|Amazon). I no longer buy books based on blurbs, but I can honestly say that the blurbs for this book are correct. It’s a vigorous collection of Lovecraftian horror that belongs on a shelf with Caitlín R. Kiernan & kin. Reading it, I felt the same old/new shock that I got on reading Charles Stross’s “A Colder War,” that sense of a new take. Fager’s blend of sex and surreality is distinctive, he has one of the best uses of Shub-Niggurath I can remember reading, and there are no bad stories in this book. If any of the above resonated with you, check it out. Good reading for dark nights…
I should probably say that I was predisposed to be interested in Fager’s book. Growing up Scandinavian-American, my childhood was full of the usual stuff: lefse, rosemaling, Ole & Lena, etc. It also featured more than a little Norse mythology and folklore, including trolls of all shape and size. My interest in that has revived in recent years, partly for personal reasons and partly due to encountering works like Midsommar and Swedish Cults. I’ve bought or repurchased various related titles, some pictured below.
Tack for reading, and check out Fager if his book sounds up your alley at all!
Here in the ol’ unhallowed laboratory concealed in the basement of the collapsing castle, it’s always spooky season, so it’s typically a slight shock to look up from my labors and notice the rest of the world taking notice. I do, however, love all things Halloween, so here on the cusp of October Country, I’m getting ready for slightly more horroring than usual…
This week marked the return of Fountain Bookstore‘s JABBIES (“Judge a Book by Its Spine”) series, visits to Richmond by publishing professionals to talk about their work, authors, and forthcoming books. I’ve been to a few before and really enjoyed them, but this one was truly up my alley:
I got a lot out of the event, learning bits and bobs about the industry that I truly hadn’t heard elsewhere. The discussion of comp titles at various stages was welcome, and I particularly appreciated hearing Kelly Lonesome talk about her vision for Nightfire. I’ve seen similar-ish panels before, particularly given the ongoing work I do with the Cabell First Novelist Award wearing my humanities librarian hat, but something about the combination of editors, sales force, and bookseller really gelled for me. And, of course, I bought a couple books…
I read Nothing but Blackened Teeth a couple months ago, and it’s really stuck with me for its combination of motifs from different horror traditions. Plus it has by far the best ekphrasis I’ve read anywhere in a long time. I got halfway through Devil House in audio this summer and had to return it to the library, and I thought it was really good, so here we are.
As for my own literary efforts, they proceed apace. I didn’t reckon just how much it would strain my patience to shift gears to novels. Right now I’m forging through yet another draft of what I sometimes jokingly call UNTITLED FUTURE NEW YORK TIMES BESTSELLER AND PULITZER PRIZE WINNER. Which would be a Hell of a trick for a short (~70K?) novel that rides the line between literary fantasy and horror, but stranger things have happened.
What’s next? If all goes as planned, querying on UNTITLED FUTURE NEW YORK TIMES BESTSELLER AND PULITZER PRIZE WINNER by year’s end, and switching (back) to UNTITLED NOVEL OF ARCANE AND ELDRITCH HORROR (~150K? ~300K?). I traveled to do some on-site research for it last week, and I plan to take another research trip this spring, as I’ll have a better shot at getting inside some buildings and soaking up the vibe.