Mostly, I try not to dwell on writing process or business in detail anymore. I did it a lot in the ol’ LiveJournal days, back when I was just starting to find community and do the things that newly serious writers do. LJ waned, platforms changed, and so on. After I passed through some invisible but tangible doorway, long conversations about writing became less interesting. I had chewed over most of the big writing questions, at least the ones appropriate for me for the moment.
Things change. I’m currently enmeshed in the transition from one novel draft to the next. I’m working harder than I ever have to improve my scene transitions. It is literally exhausting, working on it at the intensity I currently am, from the analysis to the rewriting. This is new territory for me, which is nice. It’s encouraging to see that I have room to grow, can tell that, and can see a path forward.
Anyway, these days I mostly spend my social media time on Twitter (@smythsewn), which never lacks for writing-related drama. The perennial to-MFA-or-not-to-MFA debate popped up again last week, courtesy of an article about overpriced programs. Many hot takes resulted, but also some cool ones. I particularly liked Faylita Hix’s open-source MFA/professionalization thread, and Lincoln Michel’s post on everything he’s learned about “professional” writing.