Do you read fantasy, science fiction, horror, or related genres? Do you know where you’ll be on the evening of July 28, 2021? Come check out an online panel discussion put on by James River Writers about The Future of Speculative Fiction. Hear from speakers M.K. England, Stephanie Toliver, and Nghi Vo about what’s in store for fiction that shows us alternate worlds. I’ll be moderating this exploration of what’s new, what’s back, and what’s next.
For any RVA-ns, or Richmond-adjacent folks, this Sunday (February 18th) I’ll be participating in a group reading with a bunch of local authors. It’s going to be noir and broken hearts, and it starts at 7:00 p.m. at McCormack’s Irish Pub.
Later this month, my short story “Be Still, My Dear, and Listen” will be podcast over at Pseudopod. The story originally appeared in a 2015 issue of Richmond lit mag Makeout Creek, published in conjunction with The Great Southern, a Twin Peaks festival here in the RVA. If you like Twin Peaks, horror, and/or audio fiction, it may just be your jam!
As you might guess, the timing is not accidental, coinciding as it does with the launch of the Twin Peaks reboot. I’ll post when the story’s up, but I’m pretty darn—no, pretty damn—excited.
Alas for missing AWP, given it was just a couple hours away, but I have other things on the go, and hours and dollars are finite. This year I plan to attend ICFA and NecronomiCon, both with my scholarly hat on (though I’m participating in a group reading at ICFA, and TBD about NecronomiCon). If things go as planned, I’ll also be participating in some group readings around Richmond this year. Details forthcoming.
Are you a writer? Do you aspire to make any money from your writing, but aren’t quite there yet? Read Scratch: Writers, Money, and the Art of Making a Living, edited by Manjula Martin. It’s new out this year, and it’s got some really good stuff in it about aspects of the writing life that often go publicly unaddressed, and about which many people are not well informed. All sorts of good essays and interviews in it, and worth its weight in gold for the blend of windows it offers into the life of the “full time writer.” In some regards it’s of a piece with Nick Mamatas’ Starve Better, which I’ve previously mentioned, and Jeff VanderMeer’s Booklife.