A Few of My Favorite Things, May 2018 Edition

What’s good? Many things, new and old, that I’ve gotten to so far this year. Not pictured are:

  • The Ritual, which I liked and thought interesting enough to write an essay about for the forthcoming first issue of The Silent Garden: A Journal of Esoteric Fabulism.
  • Many works that The Internet Writ Large seemed to dislike, and which I’ve found at least readable or watchable. 2012’s Solomon Kane, for instance, about which I’d previously only heard complaints. I thought it delightful, in something of the way that Constantine (2005) was delightful.
  • All things Mike Mignola. One of his works is below, but I’m trying to read the bulk of his Hellboy/Mignolaverse work this year, with others added as I’m able. No particular reason for that, other than that I’ve really enjoyed it in past, but only read snatches. I’ve spent the last few years (for one reason and another) reading a host of things that seemed a good idea to read, or people suggested I read, or I was required to read. 2018 struck me as a good year for reading both more overall and more intensively the things I enjoy.

On to the recs…

Books

Movies

Television

Comics

 

The Crone and the Hyena

Last night we watched The Flowering of the Crone: Leonora Carrington, Another Reality. It was weird and good! Interesting blend of archival interview footage, history, and adaptation of one of her stories. It feels older than it is, with some graphical effects that seemed oddly 1990s for a 2009 production. The only complaint I have is that the version we watched (on Kanopy, a streaming platform specializing in art, world, documentary , etc. film) didn’t offer closed captioning, which I almost always use these days. 4/5 girl-faced hyenas.

If you want to know more about Carrington, a multi-faceted artist, there are plenty of image galleries and articles floating around online. Selena Chambers has also just finished a series of read-throughs of Carrington’s short fiction over at Weird Fiction Review, which is worth a gander. My exposure to the female Surrealists has included a swathe of Leonor Fini’s work, with a side order of Tanning, but both the documentary and Selena’s read-though have inspired me (finally) to take in some more Carrington.