Further Insight into Basic Mysteries

cover of pulp fiction essay collectionThis weekend I read an essay by Andrew J. Wilson in Pulp Fiction of the ’20s and ’30s, a volume in the Critical Insights series: “The Last Musketeer: Clark Ashton Smith and the Weird Marriage of Poetry and Pulp.” I read it partly as potential grist for something I’m working on, but also simply because I was curious to read more criticism of Smith, an author of weird fiction and poetry who continues to be read, but who has received little critical attention when compared with the likes of Chandler or Lovecraft. Wilson inserts a quotation from Smith’s “notebook of ideas” that resonates with the thinking of any number of  people in the pulp era, weird fiction writers or otherwise:

The weird tale is an adumbration or foreshadowing of man’s relationship—past, present, and future—to the unknown and infinite, and also an implication of his mental and sensory evolution. Further insight into basic mysteries is only possible through future development of higher faculties than the known senses. Interest in the weird, unknown, and supernormal is a signpost of such development and not merely a psychic residuum from the age of superstition.

About that List of Weird Fiction Publishers

A little over a month ago, I assembled and posted a list of weird fiction publishers. I shared it widely at the time, and in turn it’s been shared and reposted in a number of places, including Reddit. It’s gotten traffic most every day since then, and the overall number of visits here has risen to (for now) a steadily higher level than in past:

 

recent blog stats

 

My process for assembling the list was fairly straightforward. I reeled off a list by memory, took a quick-but-not-exhaustive look at my bookshelves, looked at websites of high-profile writers of weird fiction and link lists from high-profile publishers of weird fiction, and trawled social media. As such things inevitably do, all of that took longer than I’d planned. Originally I’d intended simply to do a list of names & links, but the speed with which the list grew, along with comments from a bunch of people, led me to organize it a little bit. Maybe not surprising for a librarian.

The list serves my original, stated purpose: a list for me and the world to use in order to find publishers of weird fiction. That said, lately I’ve been reading about the history of publishing, as well as literary sociology, and because I tend to overthink things, and because I’m having an especially ruminative year, I started pondering where this fits into the list of literary activities that are not creative writing: readings, social media, agenting, editing, reviewing, criticism, publishing, awards, conventions, conferences, affinity groups, etc. I don’t have any grand conclusions to articulate here, other than that I feel like the list is an attempt on my part to engage a little more fully with and contribute to the Weird-o-sphere.

And on the off chance you’re reading this and don’t know what weird fiction is? Here’s Stephen Graham Jones‘ Flowchart of the Weird [BoingBoing; Weird Fiction Review; flickr]:

weird fiction flowchart

Stephen Graham Jones’ Flowchart of the Weird

For Your Listening Enjoyment: The Outer Dark

Do you like weird fiction? The odds are reasonable if you are reading this that you do, and the odds seem conversely small that, if you do, you haven’t heard about Scott Nicolay‘s new radio show, The Outer Dark, [Project iRadio][iTunes] where he interviews leading lights in the Weird. If you haven’t, however, check it out!

Thus far I’ve only listened to his interview of Livia Llewellyn, but it was a corker. Livia says miscellaneous interesting and horrifying things, and Scott interviews her from a position of real knowledge about the Weird, which not every interviewer has. This week’s interviewee is Mr. Gaunt himself, John Langan, and previous interviewees have included S.P. Mikowski and  Jayaprakash Satyamurthy. I have a lengthy patch of home improvement looming in just a couple days and expect to catch up with the rest of the interviews then.

logo for the outer dark radio show

Ramsey Campbell and the World Fantasy Lifetime Achievement Award

If you haven’t already heard, Ramsey Campbell will this year receive a World Fantasy Lifetime Achievement Award, along with Sheri S. Tepper. Phrases like “this award is long overdue” are overused, but I’m very glad to see an author often regarded variously as the greatest living writer of weird fiction or the greatest living writer of horror fiction receive this honor. For my money, his Midnight Sun is among the great novel-length achievements in the tradition of the Weird, and I’ve re-read both it and The Hungry Moon many times.

ramsey campbell booksWhere I first encountered Campbell’s work, I don’t know, but the first of his books I remember reading was The Hungry Moon, either in ’86 or ’87. Strange to think, but I read Campbell before Lovecraft, Machen, Blackwood, etc. The first weird fiction I encountered was Stephen King’s “The Mist,” and it opened the door, but Hungry Moon was a longer, slower meditation on darkness, mobs, religion, and the horrors of the English village, and the author’s ability to maintain a mood of subtle, strange dread over the length of a novel was a revelation. Midnight Sun came out in the U.S. in 1991, and it was another revelation for me, drawing as heavily as it did on atmospheric effects and nature to tell the story. It’s a novel-length exploration of the kind of terror of nature that previous authors like Algernon Blackwood had deployed in “The Willows,” “The Wendigo,” etc., or Ralph Adams Cram in “The Dead Valley.”

While I don’t generally like litmus tests, Ramsey Campbell’s work is one such for me when talking with fellow readers. His work looms large in and is essential to discussion of the field of weird fiction, but I do think his novels serve as a useful A|B test. Must atmospheric work be short story-length, or can a reader appreciate it at novel length? I feel that Campbell carefully builds a mood of the brooding and numinous, sustaining every story I’ve read by him at whatever length he chose to write. The term “master” is as overused for authors as “overdue” is when applied to awards, but in this case I feel both terms are apt.

Congratulations, Ramsey Campbell, and thanks for the terrors.

ICFA 36

iafa logoThis year I’m attending and presenting at ICFA 36. My paper will be in Oak on Friday, March 20, 2015, 2:30-4 p.m. It’s entitled “Node, Edge, or Tentacle: Data and the Lovecraftian Literary Network,” and it’s part of a panel entitled “All Hail the King: Lovecraft and Nothing But,” chaired by Rhonda Brock-Servais. My fellow panelists look to be talking on interested subjects, including monster deities, and how we understand the Other in Lovecraft and Ligotti.

This is one of those events where the whenworldscollide tag is especially appropriate. I’ve been reading HPL for something like a quarter century, write fiction that often falls somewhere on the spectrum between Lovecraftian and the Weird, and will be presenting on a topic that I wouldn’t really ever have approached without exposure to the digital humanities through my work as a librarian. Here’s to life’s pleasant and useful confluences.

If you’re going to ICFA, I look forward to meeting you there!