What’s good? Many things, new and old, that I’ve gotten to so far this year. Not pictured are:
- The Ritual, which I liked and thought interesting enough to write an essay about for the forthcoming first issue of The Silent Garden: A Journal of Esoteric Fabulism.
- Many works that The Internet Writ Large seemed to dislike, and which I’ve found at least readable or watchable. 2012’s Solomon Kane, for instance, about which I’d previously only heard complaints. I thought it delightful, in something of the way that Constantine (2005) was delightful.
- All things Mike Mignola. One of his works is below, but I’m trying to read the bulk of his Hellboy/Mignolaverse work this year, with others added as I’m able. No particular reason for that, other than that I’ve really enjoyed it in past, but only read snatches. I’ve spent the last few years (for one reason and another) reading a host of things that seemed a good idea to read, or people suggested I read, or I was required to read. 2018 struck me as a good year for reading both more overall and more intensively the things I enjoy.
On to the recs…
Recently I gave a talk about my engagement with H.P. Lovecraft, as reader, writer, and librarian/scholar. In it, I stated that I’d first read Lovecraft around 1988. While true, this elides an encounter I’d had with the Old Gent four years previously, when I stumbled on a remixed/pop version of HPL in Charlton Comics‘ Beyond the Grave, issue 17.
In the first story of the issue, “No Way Out,” the reader is treated to the tale of Jabez Monchek. The art and writing are of a piece with Bronze Age horror comics, but in rereading the story earlier this year, I was more than a little surprised to see the layers of metafiction laid on top. The character is a Lovecraft stand-in who enjoys reading Lovecraft and is trapped in an ancient house, where he lives his life as writer, painter, and sculptor.
Reader, in the language of Meme, “it me.” Just as I experienced a shock of deep familiarity a couple of years ago when I re-encountered Mercer Mayer’s One Monster After Another, so this year I was stunned to read a comic book story that apparently had something like a fundamental effect on me. I remember picking it from the rack in a tiny beachside grocery store and a vague sort of pleasure when reading it, but nothing like the impact it apparently had on me.
Included in this post are scans of the issue cover and a few panels. I’m unsure who own Beyond the Grave at this point, but apparently the bulk of Charlton IP went to DC Comics and AP Comics. I’d love to see a collected version appear at some point, whoever the owner is. My thanks to Matthew Carpenter, who posted elsewhere about Lovecraft and comics, and inspired me to write this post.