Story Selected for Best New Horror #28

My “En Plein Air,” a short story that first appeared in Nightscript 2, will appear in Best New Horror #28. I’m gratified that Stephen Jones liked the story enough to include it in his anthology, and I look forward to it finding new readers. My thanks to C.M. Muller for first publishing it in his fine and darksome anthology, and to the readers who’ve been pleased to encounter it, both in print and when I read it last year at ICFA.

This is probably my favorite story I’ve written about Richmond, with scenes set on Cherokee Road, at the VMFA, etc. While I won’t say too much more about that, I will say that this forthcoming appearance is a validation, not least that the approach I took to the story was fruitful, from the background work to the way I went about the writing. It has resulted in the first instance of any work of mine making it to an annual anthologies, let alone one of such long standing as the Best New Horror series. I couldn’t be happier.

Nightscripts, Symposia, and More

cover of nightscript vol. 2It’s October, which means that Nightscript Volume 2 has arrived [Amazon]. This volume of the annual anthology that debuted last year contains stories from Michael Griffin, Kristi DeMeester, Christopher Slatsky, Eric J. Guignard, Malcolm Devlin, Gwendolyn Kiste, Ralph Robert Moore, Christopher Ropes, Steve Rasnic Tem, Jason A. Wyckoff, Gordon White, Nina Shepardson, Kurt Fawver, Rowley Amato, Charles Wilkinson, H.V. Chao, Daniel Mills, Rebecca J. Allred, Matthew M. Bartlett, José Cruz, and noted rapscallion J.T. Glover. I’m looking forward to reading this volume, as I very much enjoyed the inaugural edition of Nightscript. It’s on the strange and dark side, more subtle than some books, with a flavor that’s somewhere between M.R. James and Shirley Jackson and Robert Aickman.

My story for the volume is entitled “En Plein Air.” As you might guess, painting is involved, and it’s set here in Richmond. I had the pleasure of reading it this past spring at an ICFA group reading, to a warm reception. Authors are prone to say their most recent story is their best, and so I’m not going to say that, but I will say that I’m proud of it, and I think it’s good. I hope you’ll enjoy it.

pulpsymposium-teaserdigitaldisplay-1

My other big thing this month in the realm of the dark, weird, etc. is a paper I’ll be delivering with my critical, bibliographic hat on this Friday at James Madison University’s Pulp Studies Symposium. My paper, “The Selected Authorship of H.P. Lovecraft,” is intended to treat Lovecraft’s letters and authorial identity. As I’ve been revising it, however, it’s evolving into something a little more holistic that’s (I hope!) on point for the symposium’s focus.

The paper I’m giving is one piece of a larger argument I’m groping toward about Lovecraft’s literary reputation, reception, and afterlife. Another part of it will hopefully be appearing in 2017 or so in an edited critical volume, and another part of it will (hopefully; less certain) be given at a conference next year. While I didn’t plan my thinking as such, I am starting to see possibilities for ways these ideas could be presented as a monograph. Whether they will or not is another question, but I do think Lovecraft is an odd literary figure, stranger than he is usually considered, and I believe that I have some useful things to say about that, particularly given my viewpoint as a writer and a scholar.

Last but not least, I’ll point you toward Nick Mamatas‘ “The People of Horror and Me,” in Nightmare Magazine‘s “The H Word” series. Published in September, Nick’s essay covers various aspects of the formation of the horror field, and he has a few things to say about the paper I delivered at ICFA earlier this year (subsequently republished at Postscripts to Darkness). Much scholarship goes unread and unheard, doing little beyond existing. I’m glad that this paper has done neither, and proved a useful stimulus.