Greetings, all you ghouls! Here’s hoping your Halloween Season has been as creepy and disturbing as mine… I’ve been reading Orrin Grey‘s Guignol and Other Sardonic Tales lately, along with watching things like Night Tide (1961), Hocus Pocus (1993), and other dark delights. So, actually, a little more witchy-ghosty than stabby-despairy (those are the official horror taxonomies, don’t you know?).
Late summer/early autumn has seen the release of a number of publications including my work. For all that I’ve only completed a few new pieces this year, it’s been a bumper crop the last month or so…
- As I wrote previously, volume one of The Silent Garden, a new annual publication from Undertow, contains an essay by yours truly (“Translating the Ritual”) about the move of Adam Nevill‘s The Ritual from page to screen.
- This year’s edition of Nightscript (volume four) contains my “There Has Never Been Anyone Here,” a semi-epistolary story that goes down as probably the most complicated story I’ve ever written, from research to formatting. My thanks to Nightscript editor C.M. Muller for doing such a lovely job in retaining my intentions for the final version.
- My first peer-reviewed piece of literary scholarship has now been published in Sean Moreland’s New Directions in Supernatural Horror Literature: The Critical Influence of H. P. Lovecraft. “Reception Claims in Supernatural Horror in Literature and the Course of Weird Fiction” took some time to get right, and I’m proud of it. (Please note that this volume is priced for the academic market, and you might want to consider suggesting your local/institutional library purchase a copy.)
In the next month or so, I’ll have work in Dead Reckonings and a reprint in Pseudopod. A few other things floating around out there might yet appear before 2019.
Last but definitely not least, I’ll be at World Fantasy in Baltimore this year! I’m attending with both my writer and my librarian hats on, so I’ll be swanning around and doubtless asking questions about writers’ research practices. I’m delighted to say that I’m scheduled to read on Thursday, November 1, at 5:30 p.m. in room Federal Hill. Please come to witness the spectacle of…
Terror in Glover-o-Vision!
Well, perhaps not quite all that, but I do loathe a dull reading! Hopefully attendees will be at least entertained, and perhaps even encounter a bit of pleasing terror on the journey…
My essay on Adam Nevill’s The Ritual, and the process of adapting the book for the screen, is forthcoming in this beauty:
The Silent Garden, Vol. 1
Information, table of contents, and ordering.
In other news, apropos of my last post, I’ve disabled my Facebook account, at least until this @#$% book is complete in rough draft. I’m still around on Goodreads, if you do that, or occasionally on Twitter.
Happy Labor Day, y’all.
For those who didn’t catch my essay on horror in flash fiction, originally published in Thinking Horror 1, it’s now available in LampLight. Volume 6.1 is currently available in e-book and will soon be available in print. The issue includes the usual array of goodness, and it features Damien Angelica Walters.
Next week I’ll have the pleasure and honor of giving a brown bag talk at the English Faculty Forum at my university (VCU). It will be Wednesday, November 8, 2017. “Aesthetic Experiments: H. P. Lovecraft and ‘Pickman’s Model’ in 1927.” Noon-1:00, in 308 Hibbs Hall. Free and open to the community at large. I’ll be speaking with my “librarian hat” on, although as time goes by, the different hats seem to be increasingly difficult of distinction. This talk is part of a project that I’ve been poking at from multiple angles in recent years, and which is starting to resemble an academic monograph. TBD.
For those finding this site before the talk at VCU and wanting to know more about what I do, the “About” and “Publications” pages linked above should be of some help. The “Weird Fiction Publishers” page is a list of publishers I update occasionally and maintain for my own use and that of the community of weird fiction readers, writers, publishers, etc. If you want an idea of what people look for here, these are some of the most popular posts:
752 views — Anthropocene Ghosts and Other Collateral Damage in Moldova (Spectral, 2016)
519 views — Finding Women in Horror and Weird Fiction
514 views — On the Existence of the Female Tentacle
409 views — The Hugos: Shenanigans & Unpopular Opinions
246 views — Release the Leeches!
184 views — Aickman’s Heirs
147 views — Lovecraft, Joshi, The Head, and Fantasy in 2014 (and 2100)
My “En Plein Air,” a short story that first appeared in Nightscript 2, will appear in Best New Horror #28. I’m gratified that Stephen Jones liked the story enough to include it in his anthology, and I look forward to it finding new readers. My thanks to C.M. Muller for first publishing it in his fine and darksome anthology, and to the readers who’ve been pleased to encounter it, both in print and when I read it last year at ICFA.
This is probably my favorite story I’ve written about Richmond, with scenes set on Cherokee Road, at the VMFA, etc. While I won’t say too much more about that, I will say that this forthcoming appearance is a validation, not least that the approach I took to the story was fruitful, from the background work to the way I went about the writing. It has resulted in the first instance of any work of mine making it to an annual anthologies, let alone one of such long standing as the Best New Horror series. I couldn’t be happier.
As previously mentioned, my Twin Peaks-themed short story, “Be Still, My Dear, And Listen,” is now live at Pseudopod! This story of Twin Peaks, horror, and three girls obsessed with Sherilyn Fenn‘s Audrey Horne was published a couple years ago in Makeout Creek, a Richmond-based lit mag. I’m proud of the story, nasty little thing that it is, and I’m grateful for the outstanding reading by Dagny Paul.
Thanks to all the good folks who made it happen, and who listened when I read it at The Great Southern and at WHC2015. If you enjoy listening to the story, Pseudopod has the option of subscribing or making a one-time PayPal donation, the proceeds from which get rolled back into the cost of the podcast, paying authors, etc. Happy Weekend, and happy watching this Sunday!
Of course we called her “Audrey.”