This weekend I read an essay by Andrew J. Wilson in Pulp Fiction of the ’20s and ’30s, a volume in the Critical Insights series: “The Last Musketeer: Clark Ashton Smith and the Weird Marriage of Poetry and Pulp.” I read it partly as potential grist for something I’m working on, but also simply because I was curious to read more criticism of Smith, an author of weird fiction and poetry who continues to be read, but who has received little critical attention when compared with the likes of Chandler or Lovecraft. Wilson inserts a quotation from Smith’s “notebook of ideas” that resonates with the thinking of any number of people in the pulp era, weird fiction writers or otherwise:
The weird tale is an adumbration or foreshadowing of man’s relationship—past, present, and future—to the unknown and infinite, and also an implication of his mental and sensory evolution. Further insight into basic mysteries is only possible through future development of higher faculties than the known senses. Interest in the weird, unknown, and supernormal is a signpost of such development and not merely a psychic residuum from the age of superstition.