A little over a month ago, I assembled and posted a list of weird fiction publishers. I shared it widely at the time, and in turn it’s been shared and reposted in a number of places, including Reddit. It’s gotten traffic most every day since then, and the overall number of visits here has risen to (for now) a steadily higher level than in past:
My process for assembling the list was fairly straightforward. I reeled off a list by memory, took a quick-but-not-exhaustive look at my bookshelves, looked at websites of high-profile writers of weird fiction and link lists from high-profile publishers of weird fiction, and trawled social media. As such things inevitably do, all of that took longer than I’d planned. Originally I’d intended simply to do a list of names & links, but the speed with which the list grew, along with comments from a bunch of people, led me to organize it a little bit. Maybe not surprising for a librarian.
The list serves my original, stated purpose: a list for me and the world to use in order to find publishers of weird fiction. That said, lately I’ve been reading about the history of publishing, as well as literary sociology, and because I tend to overthink things, and because I’m having an especially ruminative year, I started pondering where this fits into the list of literary activities that are not creative writing: readings, social media, agenting, editing, reviewing, criticism, publishing, awards, conventions, conferences, affinity groups, etc. I don’t have any grand conclusions to articulate here, other than that I feel like the list is an attempt on my part to engage a little more fully with and contribute to the Weird-o-sphere.